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Visionary Art - Martina Hoffman

Curandera - Martina Hoffman

To create is synonymous to breathing for most artists.If I don't create, I slowly loose my center and energy. Generally speaking it seems less important what kind of a creative process I'm involved in, just as long as I am creating. And what matters to me most here, is how the creative process makes me feel. It fills me with excitement, lets me get in touch with my innermost being and gives me a sense of deep satisfaction and joy. Creating has always been the essential and most important part of my life, and I perceive the creative process as a way of nourishing my soul. Another great perk is the facility of getting in touch with our innermost fears and shadows through our creations. In essence making honest art means facing ourselves at the deepest levels and using this process as a healing tool for deep transformation.

 Martina Hoffman

DNA Spirit

YES. Your words have power

Yoko Ono and John Lennon by David Bailey, 1971

Q: How did you meet Yoko? 

John Lennon: There was a sort of underground clique in London; John Dunbar, who was married to Marianne Faithfull, had an art gallery in London called Indica, and I'd been going around to galleries a bit on me off days in between records, also to a few exhibitions in different galleries that showed sort of unknown artists or underground artists. I got the word that this amazing woman was putting on a show the next week, something about people in bags, in black bags, and it was going to be a bit of a happening and all that. So I went to a preview the night before it opened. I went in - she didn't know who I was or anything - and I was wandering around. There were a couple of artsy-type students who had been helping, lying around there in the gallery, and I was looking at it and was astounded. There was an apple on sale there for two hundred quid; I thought it was fantastic - I got the humor in her work immediately. I didn't have to have much knowledge about avant-garde or underground art, the humor got me straightaway. It was two hundred quid to watch the fresh apple decompose. But it was another piece that really decided me for or against the artist: a ladder that led to a painting, which was hung on the ceiling. It looked like a white canvas with a chain with a spyglass hanging on the end of it. I climbed the ladder, looked through the spyglass, and in tiny little letters it said, YES. So it was positive. I felt relieved. It's a great relief when you get up the ladder and you look through the spyglass and it doesn't say NO or FUCK YOU or something. I was very impressed.

Catachism for a Witch's Child

When they ask to see your gods
your book of prayers
show them lines
drawn delicately with veins
on the underside of a bird's wing
tell them you believe
in giant sycamores mottled
and stark against a winter sky
and in nights so frozen
stars crack open spilling
streams of molten ice to earth
and tell them how you drink
a holy wind of honeysuckle
on a warm spring day
and of the softness
of your mother who never taught you
death was life's reward
but who believed in the earth 
and the sun
and a million, million light years
of being.

'Catachism for a Witch's Child' by J.L.Stanley